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Why does my library account say that I am blocked, that I am barred, or that my status is expired?
Users can encounter several different types of status messages. Patrons with questions about their account status can visit the checkout desk in room 241 of LSU Library and ask to speak to a staff member. Alternatively, patrons can reach out to us via e-mail at libcirc@lsu.edu (mailto:libcirc@lsu.edu) . When contacting us via e-mail, LSU students, staff, and faculty should message us from their LSU e-mail address; public patrons should message us from the e-mail address we have on file. For privacy reasons, we cannot discuss the details of patron accounts over the telephone. Expired: Students must be currently enrolled in classes in order to be granted library privileges. Once they graduate, or if they fail to register on time in accord with the deadlines posted on LSUs academic calendar, their privileges expire. If they try to log in to their library account after that date, they will see an alert message informing them that their account has expired. Graduate students who have received a masters degree but are continuing on to get their PhD may also have their privileges expire earlier than expected. The library receives weekly updates on student status from the Registrars Office. Once the semester has begun, if students register during the week, their accounts will not be updated and their privileges extended in the system until the following Monday morning. Blocked: Users with overdue recalled books will have their accounts blocked by the system. Their accounts will remain blocked until the book is returned. The system will not permit staff members to override blocks or to renew books that have been recalled. The only way to remove a block from an account is to return the materials. Barred: Users can be barred from using library materials for a number of reasons, the most common being that they have been billed for lost items. They can also be barred if they resign from the university, if their classes are purged, or for flagrant violations of library policy. If they try to log into their account after they have been barred, they will receive an alert message that tells them that they have been barred. Answered by: Access Services Staff
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오프닝 타이틀의 모션그래픽 디자인과 기호학 분석에 관한 연구 - 과 를 중심으로A Study on Motion Graphics Design and Semiotic Analysis of an Opening Titles - Focus on and
본 연구는 영화 및 TV 드라마 오프닝 타이틀에 적용된 모 션그래픽 디자인이 의미를 생산하는 방식을 찰스 샌더스 퍼 스(Charles Sanders Peirce)의 기호학 이론에 기반하여 분석 하였다. 초기 영화 오프닝은 단순한 정보 전달에 머물렀으나, 기술과 디자인의 발전을 통해 오늘날 오프닝은 서사, 주제, 정서를 압축적으로 전달하는 독립적 예술 형식으로 진화하였 다. 따라서 오프닝의 의미작용 방식을 독립 장르로서 이해할 필요가 있다. 본 연구는 문헌 조사, 기호학적 분석, 사례 연구, 시각적 내용 분석을 종합적으로 활용하였다. 분석 틀로는 퍼 스의 삼원론(도상, 지표, 상징)을 적용하였으며, 분석 대상으 로 모션그래픽 기법이 활용된 영화 캐치 미 이프 유 캔(2002) 과 TV 드라마 퓨드(2017)의 오프닝을 선정하였다. 이들 오프 닝에 나타난 시각적 요소, 운동 효과, 장면 구성을 다각도로 살피고, 요소 간 상호작용을 심층적으로 분석하였다. 이를 통 해 두 작품의 오프닝은 각각의 시각 요소가퍼스의 기호학 범 주에 따라 유기적으로 결합되어 작품의 주요 서사 구조와 정 서를 효과적으로 전달하고 있음을 확인하였다. 결론적으로 본 연구는 퍼스 기호학을 활용한 분석이 모션그래픽 오프닝 의 의미 생성 구조를 해석하는 데 효과적인 이론적 틀을 제공 함을 입증하였으며, 나아가 오프닝이 서사적 함의와 감정적 긴장의 단서를 제시하는 함축적인 장치로서 기능하며, 모션 그래픽은 이를 시각적으로 조직하는 주요 매개체로 작용한다 는 사실을 확인하였다. 이러한 분석은 오늘날의 영상 커뮤니 케이션 연구의 흐름 속에서 시각 디자인 이론의 적용 범위를 확장하고 오프닝의 내러티브적·정서적 가능성에 대한 학문적 논의를 심화하는 데 기여할 것으로 기대된다.
Catch the Rabbit
Winner of the 2020 European Union Prize for Literature, Lana Bastašić's powerful debut novel Catch the Rabbit is an emotionally rich excavation of the complicated friendship between two women in a fractured, post-war Bosnia as they venture into the treacherous terrain of the Balkan wonderlands and their own history.It's been twelve years since inseparable childhood friends Lejla and Sara have spoken, but an unexpected phone call thrusts Sara back into a world she left behind, a language she's buried, and painful memories that rise unbidden to the surface. Lejla's magnetic pull hasn't lessened despite the distance between Dublin and Bosnia or the years of silence imposed by a youthful misunderstanding, and Sara finds herself returning home, driven by curiosity and guilt. Embarking on a road trip from Bosnia to Vienna in search of Lejla's exiled brother Armin, the two travel down the rabbit hole of their shared past and question how they've arrived at their present, disparate realities.As their journey takes them further from their homeland, Sara realizes that she can never truly escape her past or Lejla—the two are intrinsically linked, but perpetually on opposite sides of the looking glass. As they approach their final destination, Sara contends with the chaos of their relationship. Lejla's conflicting memories of their past, further complicated by the divisions brought on by the dissolution of Yugoslavia during their childhoods, forces Sara to reckon with her own perceived reality. Like Elena Ferrante's My Brilliant Friend, Catch the Rabbit lays bare the intricacies of female friendship and all the ways in which two people can hurt, love, disappoint, and misunderstand one another.
90 years of catch data reveal changes in catch composition in the Australian east coast recreational marlin fishery
Long-term continuous datasets that record fishery catch are key to predicting and managing changes in fisheries. Unfortunately, long-term datasets are rare for recreational fisheries, which hinders our ability to understand long-term changes within these fisheries. Here we use several unconventional long-term datasets, including tournament and tagging program data, to assess changes in catch composition over time in the Australian east coast marlin fishery. We found significant changes to the species and size composition of species within the fishery over time. In the 1930s, catch was solely comprised of striped (Kajikia audax) and black (Istiompax indica) marlin. Black marlin proportionally dominated the fishery in the 1940s to 1980s, but the proportions of blue (Makaira nigricans) and striped marlin increased significantly from the 1980s until present. Currently, the fishery is comprised of primarily striped and black, and to a lesser extent blue marlin. Declines in the mean weight of black and striped marlin were also evident from the 1930s to 1980s. Technological advances improving offshore access may have driven changes in species composition. Our results demonstrate a potential change in technology and gear reshaping species composition within a fishery. This highlights how recreational fisheries, particularly those offshore, have changed with the technology over time, and the potential for future technological to dramatically alter recreational fisheries globally.Graphic abstract:
Normal horizontal VOR gain and catch-up saccades: still a diagnostic dilemma
Purpose: To analyze the relationship between normal horizontal vestibular-ocular reflex (VOR) gain with catch-up saccades (CS) in patients reporting recurrent or chronic vestibular symptoms of unknown causes.Methods: A prospective study involving 34 patients suffering from vestibular symptoms of unknown origin; all subjects presented bilateral normal horizontal VOR gain and CS on at least one side. Data collection regarded onset and duration of vestibular symptoms. vHIT parameters were analyzed.Results: Patients complained of episodic spontaneous vertigo in 54.54% of cases, dizziness in 12.12%, and unsteadiness in 33.33% respectively. The study of VOR gain evidenced a mean gain of 0.92 ± 0.08 for the right and of 0.89 ± 0.07 for the left horizontal semicircular canal (HSC) (p = 0.11). A weak inverse correlation between age and VOR gain (r=-0.007232, p = 0.954) was found. CS were observed bilaterally in 66.66% of subjects, with overt saccades in 78.78% of HSC. All detected CS presented a peak velocity between 100 and 200 °/s with a scattered pattern of saccade distribution in 75.86% of cases. HSC with a VOR gain between 0.8 and 0.89 exhibited the highest prevalence (84.37%) of overt saccades (p = 0.01). No relationship was found between CS laterality, the clusterization of saccades, and different vertigo symptoms.Conclusion: Patients suffering from vertigo of unknown origin with a normal VOR gain and CS displayed a CS pattern that was mainly represented by overt saccades with a scattered pattern that may be an indirect sign of an underlying vestibular dysfunction; clinicians should include a careful analysis of CS patterns and metrics to better explore vestibular function.
Residual effects of repeated catch crops on spring barley yield and nitrate leaching
Growing catch crops in autumn after the main crop is known to reduce nitrate leaching and improve soil fertility. Residual effects of growing catch crops repeatedly for several years on the grain yield and grain nitrogen (N) of the following main crop, and nitrate leaching are less known. We conducted field experiments with spring barley and catch crops, including an herbicide treated bare treatment, from 2015 to 2022 at two sites in Denmark, differing in soil type and climatic conditions. The spring barley was fertilized at four N levels (0–150 % of the recommended amount). The residual effect of the repeated catch crops was measured in 2021 for barley grain yield and grain N, and for nitrate leaching in the percolation periods of 2020–21 and 2021–22. During the repeated catch crop periods the average aboveground biomass N ranged between 20 and 61 kg N ha⁻¹ yr⁻¹. A residual effect of the repeated catch crops on grain yield and grain N was only observed in unfertilized barley. Catch crops significantly reduced nitrate leaching compared to the bare soil, with a reduction of 38–91 % per percolation period. After discontinuing the catch crops, there was no residual effect on nitrate leaching. Repeated catch crops for four percolation periods did not have measurable residual effects on the following main crop, nor on nitrate leaching after their discontinuation. More research is needed on N immobilization and mineralization processes, and the factors that influence them to better understand the residual effects of catch crops.
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